Everything about Hannah And Her Sisters totally explained
Hannah and Her Sisters is a
1986 romantic comedy film which tells the intertwined stories of an extended family, told mostly during a year that begins and ends with a family
Thanksgiving dinner. The movie was written and directed by
Woody Allen and stars
Mia Farrow as Hannah, with
Barbara Hershey and
Dianne Wiest as her sisters.
The film's ensemble cast also includes Allen,
Michael Caine,
Carrie Fisher,
Maureen O'Sullivan,
Lloyd Nolan,
Max von Sydow, and
Julie Kavner.
Daniel Stern,
Lewis Black,
Joanna Gleason, and
Julia Louis-Dreyfus all have minor roles, as do
Tony Roberts and
Sam Waterston, who have uncredited cameo appearances. Several of Farrow's children, including a
pre-adolescent Soon-Yi Previn, have credited and uncredited roles, mostly as Thanksgiving
extras.
The film is Allen's biggest box office hit thus far, without adjusting for inflation, with a North American gross of $41 million. Adjusted for inflation it falls behind
Annie Hall and
Manhattan, and possibly also one or two of his early comedies.
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Critical recognition
Hannah and Her Sisters received seven
Academy Award nominations, including one for
Best Picture. Allen's writing was recognized with an Oscar for
Best Writing, Screenplay Written Directly for the Screen and he earned a nomination for
Best Director. His work on the film was also recognized with two
BAFTA Awards.
Caine and Wiest each won Oscars, for
Best Actor in a Supporting Role and
Best Actress in a Supporting Role. The film was also Oscar-nominated for
Best Art Direction-Set Decoration, and
Best Film Editing.
In France, the film was nominated for a
César Award for Best Foreign Film.
Influential critics
Siskel and Ebert each rated the film among the top three of the
1986 film year; Ebert's 1986 review of the film began with "Woody Allen's
Hannah and Her Sisters [is] the best movie he's ever made."
Plot
The story is told in three main
arcs, with almost all of it occurring during a 12-month period beginning and ending at
Thanksgiving parties hosted by Hannah (Farrow) and her husband, Elliot (Caine). Hannah serves as the stalwart hub of the narrative; her own story as a successful actress is somewhat secondary but most of the events of the film connect to her.
An
adulterous romance between Elliot and one of Hannah's sisters, Lee (Hershey), provides the main romantic entanglement of the film. Elliot's discontent with his wife's self-sufficiency and resentment of her emotional strength causes him to look elsewhere. Lee has lived for several years with a reclusive artist, Frederick (von Sydow). She finds herself in a relationship with Frederick that's no longer romantically or intellectually stimulating, the latter in spite of Frederick's professed interest in continuing to teach her about life. She leaves Frederick, much to his sorrow (for he's grown dependent upon her), and has a secret affair with Elliot lasting for several months.
Mickey (played by Allen in the neurotic
persona common to many of his films) provides the comic relief. Parts of his story are scenes from his previous marriage to Hannah and his horrible date with the cocaine-addicted Holly (Hannah's other sister, played by Wiest), shown in
flashbacks. Mickey's main story is one of a
hypochondriac confronting the possibility of an actual serious disease. After a clean bill of health, it turns into a career-pausing
existential crisis, and leads to unsatisfying experiments with
religious conversion to
Catholicism and
Krishna Consciousness, before a long walk and the fortuitous opportunity to view the
Marx Brothers'
Duck Soup helps remind him why life is worth living. The revelation helps prepare him for a second date with Holly, which this time blossoms quickly (and mostly off-screen) into a relationship and marriage.
Holly's story is the film's third main arc. She's an unsuccessful actress who dabbles in a catering business, competing with April (Fisher), a fellow actress and her business partner, for acting parts and a man. Holly loses both and decides to try her hand at writing. The career change forces her once again to borrow money from Hannah, a dependency Hannah welcomes and Holly resents. After writing a script inspired by Hannah and Elliot (a story that Holly sets aside after Hannah objects to just how much of the couple's private life Holly had incorporated in it), she writes a story inspired by her own life, which Mickey reads and admires greatly, vowing to help her get it produced.
A minor arc in the film tells part of the story of Norma and Evan (played by
O'Sullivan and Nolan, who were both in
Never Too Late 20 years earlier). They are Hannah's parents, who still have acting careers of their own, careers disrupted at times by Norma's
alcoholism. Evan's flirtation and piano playing provide part of the entertainment during the Thanksgiving get-togethers.
By the time of the film's second Thanksgiving Lee has ended her affair with Elliot. In a final
coda-like act, another year has lapsed and the film ends happily for the three sisters, now all married.
Cast and roles
Box office
Hannah and Her Sisters opened on February 7, 1986 in 54 theatres, where it gained a stellar $1,265,826 ($23,441 per screen) in its opening weekend. When it expanded to 696 theatres on March 14, it garnered a less spectacular $2,707,966 ($3,809 per screen). Still, it went on to gross $40,084,041, and remains one of the highest-grossing
Woody Allen movies.
Further Information
Get more info on 'Hannah And Her Sisters'.
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